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Cinematic Cryptonymies: The Absent Body in Postwar Film by Ofer Eliaz (English)

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The first chapter examines how Georges Franju deployed Paris as a city that hides the horrors of its past—here the vanished bodies of the victims of the Holocaust—behind its facade. Following World War II, the world had to confront the unmournable specters of those who had been erased socially and historically.

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