Giuseppe VERDI / le Trouvère Grand Opéra en quatre actes Représenté sur le
"Il trovatore, though without doubt one of the two or three most popular Verdi operas, has until recently fared rather badly with critics and commentators, mostly because of its unabashedly formalistic exterior in comparison with the works on either side of it, Rigoletto and La traviata. This attitude at last shows signs of changing, perhaps as our criteria for judging Verdi's musical dramas alter with time. Indeed, many of the most important stages in the critical rehabilitation of this opera have concentrated attention on just those aspects that were earlier castigated. The libretto, for example, with its immovable character types and 'unrealistic' stage action, has recently been seen as one of the work's great strengths, its economy of dramatic means and immediacy of language forming th.
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