How Folklore Shaped Modern Art: A Post-Critical History of Aesthetics by Wes Hil
47,20 €
Since the 1990s, artists and art writers around the world have increasingly undermined the essentialism associated with notions of "critical practice.". We can see this manifesting in the renewed relevance of what were previously considered "outsider" art practices, the emphasis on first-person accounts of identity over critical theory, and the proliferation of exhibitions that refuse to distinguish between art and the productions of culture more generally.
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