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Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol by Nichol

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Nicholas de Villiers proposes a new approach to these cultural icons that accounts for the queerness of their works and public personas. Rather than reading their self-presentations as 'closeted', de Villiers suggests that they invent and deploy productive strategies of 'opacity' that resist the closet and the confessional discourse associated with it.

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