Order in Disorder: Intratextual Symmetry in Montaigne's "Essais" by Professor of
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After all, though the essayist kept adding new pages, except when he added the third and final book he never added a new chapter, but worked within the structure already in place. Often two chapters of greatly different length and apparent importance (one on thumbs, for instance, balanced against one on the limits of human understanding) will in this way be brought together-not without, Runyon finds, an intended irony.
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