Sozialistische Sinne: Film, Gefühl und das sowjetische Subjekt, 1917-1940
40,61 €
Cinema was seen as a privileged site for the creation of this sensory revolution as film could both discover the world anew and model a way of inhabiting it. Drawing on an extraordinary array of films, Widdis shows how Soviet cinema, as it evolved from the revolutionary avant-garde to Socialist Realism, gradually shifted its materialist agenda from emphasizing the external senses to instilling the appropriate internal senses (consciousness, emotions) in the new Soviet subject.Socialist Senses Paperback edition by Emma Widdis.
Jetzt bei Ebay:
