Tonalität als Drama: Schließung und Unterbrechung in vier amerikanischen...
Tonality As Drama : Closure and Interruption in Four Twentieth-century American Operas, Hardcover by Latham, Edward David, ISBN 1574412493, ISBN-13 9781574412499, Brand New, Free P&P in the UK From a singer's perspective, Latham (music theory, Temple U.) examines four early twentieth century American operas to understand why the use of tonality continued while composers of other genres during the period abandoned it. Using the ideas of music theorist Heinrich Schenker and director and drama teacher Konstantin Stanislavsky, he considers Scott Joplin's Treemonisha, George Gershwin's Porgy and Bess, Kurt Weill's Street Scene, and Aaron Copland's The Tender Land, and argues that tonality was used for dramatic effect. Annotation ©2009 Book News, Inc., Portland, OR ()
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